nedalot.tumblr.com
8salon.net
MFOC: Jason Hogans (Planet E/ Detroit)
"This is the future of post-drum & bass breakbeat culture ... totally millenium's edge and running, mate." - Dego of 4Hero
Jason Hogans is a producer, vocalist and multi-instrumentalist who first impacted through Detroit’s electronic music scene, impressively debuting on Carl Craig's Planet E in ’98 with an EP called ‘Peter And The Rooster.’ ‘Peter And The Rooster’ combined drum & bass, techno, jazz, and hip hop elements in a brilliant display of creativity and experimentalism, helping to pave a new direction for Planet E. It was through a fellow producer and friend, Matt Chicoine that Hogans was introduced to the Planet E camp. Fans of one another's work, Chicoine (Recloose) introduced Hogans to Planet E director Carl Craig once he was signed as an artist to the Detroit based label.
Hogans has consistently paved his own unique trajectory, creating diverse and forward-thinking sounds which transcend the confines of many mainstream musical genres. Rather than following the obvious creative path after his debut, new musical blends came after Hogans' experimentations with multiple styles such as folk, minimal, punk, glitch, soul, reggae/dub, jazz and more. This convergence of flavors could be heard on his 2005 release under his newly created :brownstudy moniker, ‘Tell Me More About Bubbles’ on the Third Ear label. ‘Tell Me More About Bubbles’ was Jason's first professional release featuring his own vocals and solidified his reputation as a lyricist as well as a producer. Hogans' relentlessly experimental eclecticism continued to intensify and mutate with stylistically diverse releases on Mahogani Music, Faces Records/MCDE, his own Really Nice Recordings label and more all the way through to :brownstudy's ‘Life Well Lived’ in 2014, also released on Third Ear.
Following 2014’s well-received LP under his :brownstudy alias, 'Life Well Lived,’ Jason Hogans stepped away from the mic to focus on an LP of flawless instrumentals. Returning to production under his own name for the first time in nearly two decades, 2016’s ‘The Age of Scrap’ belies its title to instead deliver a forward thinking record rooted in classic Detroit, fused with futurist sonics that refuse to look back. Hogans organized his own European tour to support the LP, with stops in Strasbourg, Paris, Heidelberg, Amsterdam, Brussels & London.
Inspired by his traveling and performing, 2017's 'Work The Terminals' EP (Moods & Grooves) picks up where Hogans left off with 'The Age of Scrap' LP on Third Ear. Bass-heavy future funk & house with a broken beat twist. All good for the dancefloor unlike Jason's more experimental debut, 'Peter and the Rooster' on Planet E. 'Work The Terminals' features the effortlessly awesome vocal and bass guitar talents of Paul Randolph and a dope Andrés remix.
Jason has been staying busy with heartfelt vocal features, self-released beat tapes, innovative remixes and engaging live performances throughout Europe and the United States. Not content with a single performance style, you will find him in front of turntables playing house and techno records, blending live electronic beats on his hardware, rocking the microphone or any combination of the above. Jason has been fortunate to share both stage (Faruq Z. Bey, Sinistarr, James Blood Ulmer, Tadd Mullinix) and studio (Jimmy Edgar, Kevin Saunderson, Paul Randolph, Anthony Shakir) with many talented & respected artists from all over the world and is currently developing releases for multiple labels across the globe.
"Lovely experimental stuff. No faking it here." - Luke Vibert aka Wagon Christ
Jason Hogans is a producer, vocalist and multi-instrumentalist who first impacted through Detroit’s electronic music scene, impressively debuting on Carl Craig's Planet E in ’98 with an EP called ‘Peter And The Rooster.’ ‘Peter And The Rooster’ combined drum & bass, techno, jazz, and hip hop elements in a brilliant display of creativity and experimentalism, helping to pave a new direction for Planet E. It was through a fellow producer and friend, Matt Chicoine that Hogans was introduced to the Planet E camp. Fans of one another's work, Chicoine (Recloose) introduced Hogans to Planet E director Carl Craig once he was signed as an artist to the Detroit based label.
Hogans has consistently paved his own unique trajectory, creating diverse and forward-thinking sounds which transcend the confines of many mainstream musical genres. Rather than following the obvious creative path after his debut, new musical blends came after Hogans' experimentations with multiple styles such as folk, minimal, punk, glitch, soul, reggae/dub, jazz and more. This convergence of flavors could be heard on his 2005 release under his newly created :brownstudy moniker, ‘Tell Me More About Bubbles’ on the Third Ear label. ‘Tell Me More About Bubbles’ was Jason's first professional release featuring his own vocals and solidified his reputation as a lyricist as well as a producer. Hogans' relentlessly experimental eclecticism continued to intensify and mutate with stylistically diverse releases on Mahogani Music, Faces Records/MCDE, his own Really Nice Recordings label and more all the way through to :brownstudy's ‘Life Well Lived’ in 2014, also released on Third Ear.
Following 2014’s well-received LP under his :brownstudy alias, 'Life Well Lived,’ Jason Hogans stepped away from the mic to focus on an LP of flawless instrumentals. Returning to production under his own name for the first time in nearly two decades, 2016’s ‘The Age of Scrap’ belies its title to instead deliver a forward thinking record rooted in classic Detroit, fused with futurist sonics that refuse to look back. Hogans organized his own European tour to support the LP, with stops in Strasbourg, Paris, Heidelberg, Amsterdam, Brussels & London.
Inspired by his traveling and performing, 2017's 'Work The Terminals' EP (Moods & Grooves) picks up where Hogans left off with 'The Age of Scrap' LP on Third Ear. Bass-heavy future funk & house with a broken beat twist. All good for the dancefloor unlike Jason's more experimental debut, 'Peter and the Rooster' on Planet E. 'Work The Terminals' features the effortlessly awesome vocal and bass guitar talents of Paul Randolph and a dope Andrés remix.
Jason has been staying busy with heartfelt vocal features, self-released beat tapes, innovative remixes and engaging live performances throughout Europe and the United States. Not content with a single performance style, you will find him in front of turntables playing house and techno records, blending live electronic beats on his hardware, rocking the microphone or any combination of the above. Jason has been fortunate to share both stage (Faruq Z. Bey, Sinistarr, James Blood Ulmer, Tadd Mullinix) and studio (Jimmy Edgar, Kevin Saunderson, Paul Randolph, Anthony Shakir) with many talented & respected artists from all over the world and is currently developing releases for multiple labels across the globe.
"Lovely experimental stuff. No faking it here." - Luke Vibert aka Wagon Christ
Gatto Musculoso w/ Zaliva-D (live), RVDS & Phuong-Dan
Gatto Musculoso w/ Zaliva-D (live), RVDS & Phuong-Dan
Zaliva-D is a Beijing-based electronic music & visual group with members of Li Chao(music) and Aisin-Gioro Yuanjin(VJ). Starting in 2003, Zaliva-D has bred the oriental dark electronic music of unique style with hard work and polishing over a decade. Its iconic timbre and melody is associated with succesive dark, pale scenes, flogging all mainstream energy.
Zaliva-D is a Beijing-based electronic music & visual group with members of Li Chao(music) and Aisin-Gioro Yuanjin(VJ). Starting in 2003, Zaliva-D has bred the oriental dark electronic music of unique style with hard work and polishing over a decade. Its iconic timbre and melody is associated with succesive dark, pale scenes, flogging all mainstream energy.
Warning im Pudel
Warning returns to the Pudel for a night in full effect. RVDS and Erik Jäähalli premiering their live cooperation with an 2h performance and the DJs Marie Montexier from Cologne and Mars Leder from Berlin will spread them fresh vibes all over the place.
00 – 02
RVDS (Golden Pudel, FIT Sound / EST. 83)
Erik Jäähalli (Warning, Börft Records)
02 – 04
Marie Montexier (Warning)
04 – 06
Mars Leder (Warning)
https://www.residentadvisor.net/events/1270456
https://www.warning.berlin
https://www.instagram.com/warning._____/
Artwork by Lucas Hatzisavas
https://www.instagram.com/popdabadel
00 – 02
RVDS (Golden Pudel, FIT Sound / EST. 83)
Erik Jäähalli (Warning, Börft Records)
02 – 04
Marie Montexier (Warning)
04 – 06
Mars Leder (Warning)
https://www.residentadvisor.net/events/1270456
https://www.warning.berlin
https://www.instagram.com/warning._____/
Artwork by Lucas Hatzisavas
https://www.instagram.com/popdabadel
MFOC: Kirk Degiorgio
Kirk Degiorgio (* ca. 1967/1968) ist ein britischer Musiker, Musikproduzent, Plattenlabelbetreiber und DJ. In der Techno-Szene wurde er vor allem ab Anfang der 1990er Jahre durch seine Veröffentlichungen unter dem Pseudonym As One bekannt. Seine Musik bezieht Einflüsse aus Detroit Techno, Soul, Funk und vor allem Jazz ein.
Kirk Degiorgio wurde in den späten 1960er Jahren im Ost-Londoner Stadtteil Stepney geboren. Mütterlicherseits ist er mit dem T-Rex-Sänger Marc Bolan verwandt. Im Alter von vier Jahren zog seine Familie nach Ipswich.
Nachdem ihm eine Tante im Jahr 1979 ihre Sammlung von Soul- und Funk-Schallplatten überließ, wurde sein Interesse für Musik geweckt. Ab 1982 beschäftigte er sich mit DJing, zunächst im Bereich des Electro.
1986 zog er in den West-Londoner Stadtteil Richmond und begann dort ein Studium der Geschichtswissenschaften. Ab Ende der 1980er Jahre setzte er sich verstärkt mit House und Detroit Techno auseinander. Er produzierte erste Demos, von denen eines von Colin Favor in einer Kiss FM Show gespielt wurde. Die Stücke wurden von den B12-Betreibern Michael Golding und Steve Rutter lizenziert und auf B12 unter dem Namen Future/Past veröffentlicht. Das als Future/Past veröffentlichte Stück Dance Intellect stellt seine erste Produktion dar.
Über Kontakte zu Andy Turner und Ed Handley von The Black Dog sowie den Detroit-Techno-Produzenten Carl Craig kam es zu weiteren Veröffentlichungen seiner Musikstücke, unter anderem auf der der Compilation Intergalactic Beats auf dem von Craig betriebenen Label Planet E.
Kurz darauf startete Degiorgio sein eigenes Plattenlabel Applied Rhythmic Technology (ART). Einige Stücke wurden kurz darauf vom einflussreichen Label R&S Records lizenziert und neu veröffentlicht. Über den Kontakt zu Grant Wilson-Claridge wurde Degiorgio dann auf die Musik von Richard D. James alias Aphex Twin aufmerksam. Er schlug eine Zusammenarbeit zwischen ART und James' und Wilson-Claridges Label Rephlex Records vor. 1992 erschien die Compilation The Philosophy Of Sound And Machine mit Stücken von Degiorgio (Future/Past), James (Q-Chastic; Soit-P.P.), Kosmik Kommando und weiteren Künstlern.[
1994 wechselte Degiorgio zum Label New Electronica und veröffentlichte dort das erste As-One-Album Reflections.
Es folgten Zusammenarbeiten mit Photek und die Gründung des Labels Op-ART, auf dem unter anderem Werke von Photek und Paul W. Teebrooke (Steve Pickton) erschienen.
1997 wechselte Degiorgio zu James Lavelles Label Mo’ Wax, auf dem im gleichen Jahr das Album Planetary Folklore erschien. Gemeinsam mit der brasilianischen Fusionjazz-Band Azymuth nahm Degiorgio 2001 unter dem Projektnamen Offworld ein Album für Far Out Recordings auf. Nach Veränderungen beim Label wechselte Degiorgio über Umwege zum US-amerikanischen Label Ubiquity, auf dem zunächst 2003 die Werkschau-Compilation So Far (So Good)...Twelve Years Of Electronic Soul erschien.
Ab 2004 widmete sich Degiorgio mit dem Sänger Jinadu verstärkt der Arbeit an dem Soul-Pop-Projekt The Beauty Room. Im gleichen Jahr erschien die Single Holding On. Das erste Album The Beauty Room erschien 2006 auf Peacefrog Records.
2005 erschien das Album Elegant Systems bei Versatile Records. Ebenfalls 2005 nahm Degiorgio an der Red Bull Music Academy in Seattle teil.[3] Im folgenden Jahr erschien das Album Planetary Folklore 2 + 1 bei Octave Lab.
Diskographie (Auswahl)
Alben
1994: As One – Reflections (New Electronica)
1995: As One – Reflections On Reflections (New Electronica)
1995: As One – Celestial Soul (New Electronica)
1996: As One – The Message In Herbie's Shirts (Clear)
1997: As One – The Art Of Prophecy (Shield Records)
1997: As One – In With Their Arps, And Moogs, And Jazz And Things (Clear)
1997: As One – Planetary Folklore (Mo’ Wax)
2001: As One – 21st Century Soul (Ubiquity Records)
2001: Offworld – Two Worlds (Far Out Recordings)
2003: As One – So Far (So Good)...Twelve Years Of Electronic Soul (Compilation; Ubiquity Records)
2004: As One – Out Of The Darkness (Ubiquity Records)
2005: Kirk Degiorgio presents As One – Elegant Systems (Versatile Records)
2006: Kirk Degiorgio presents As One – Planetary Folklore 2 + 1 (Octave Lab)
2008: B12 / Kirk DeGiorgio – B12 Records Archive Vol. 2 (B12)
2013: Kirk Degiorgio – Presents Sambatek (Far Out Recordings)
Singles und EPs
1991: Future/Past / As One / Zee# – Untitled (B12)
1992: Future/Past / Balil – ART 1 E.P. (R & S Records)
1994: As One – Mihara (New Electronica)
1995: As One – We No Longer Understand (New Electronica)
1996: Future/Past – Hyperspace (R & S Records)
1996: Elegy / As One / Nuron – Likemind 04 (Likemind)
1996: As One – Relentless (Shield Records)
2001: Kirk Degiorgio presents As One – Another Revolution / Undefeated (Ubiquity Records)
2001: Kirk Degiorgio presents As One – Problems / Another Revolution / If It Ain't Broke (Ubiquity Records)
2001: Kirk Degiorgio – Nairobi (New Religion)
2002: As One – To See Tomorrow (Ubiquity Records)
2003: Kirk Degiorgio – Holy Distraction (New Religion)
2004: Kirk Degiorgio – EP3 (New Religion)
2004: As One – Believer / Sanctified / I Love You (Ubiquity Records)
2005: Kirk Degiorgio presents Esoterik – Alcyone EP (Freerange Records)
2005: Kirk DeGiorgio / Elegy – Circuits Fading EP (New Religion)
2006: Kirk DeGiorgio / Elegy – Starwaves EP (Freerange Records)
2007: As One – Germanium (Archive)
2007: Kirk Degiorgio – I Do Not Exist (B12)
2009: Kirk Degiorgio – Jitter World (Abstract Forms)
2011: Kirk Degiorgio – Flote EP (Flying Donkey Music)
2012: Kirk Degiorgio – The Golden Aspect EP (Planet E)
2012: Kirk Degiorgio – Divine Logic (Rush Hour Recordings)
2012: Kirk Degiorgio & Ben Sims – Machine Theme (Machine)
2013: Kirk Degiorgio – Unreleased 1991-1992 (Indigo Aera)
2013: Kirk Degiorgio & Ben Sims – Strike (Machine)
Kirk Degiorgio wurde in den späten 1960er Jahren im Ost-Londoner Stadtteil Stepney geboren. Mütterlicherseits ist er mit dem T-Rex-Sänger Marc Bolan verwandt. Im Alter von vier Jahren zog seine Familie nach Ipswich.
Nachdem ihm eine Tante im Jahr 1979 ihre Sammlung von Soul- und Funk-Schallplatten überließ, wurde sein Interesse für Musik geweckt. Ab 1982 beschäftigte er sich mit DJing, zunächst im Bereich des Electro.
1986 zog er in den West-Londoner Stadtteil Richmond und begann dort ein Studium der Geschichtswissenschaften. Ab Ende der 1980er Jahre setzte er sich verstärkt mit House und Detroit Techno auseinander. Er produzierte erste Demos, von denen eines von Colin Favor in einer Kiss FM Show gespielt wurde. Die Stücke wurden von den B12-Betreibern Michael Golding und Steve Rutter lizenziert und auf B12 unter dem Namen Future/Past veröffentlicht. Das als Future/Past veröffentlichte Stück Dance Intellect stellt seine erste Produktion dar.
Über Kontakte zu Andy Turner und Ed Handley von The Black Dog sowie den Detroit-Techno-Produzenten Carl Craig kam es zu weiteren Veröffentlichungen seiner Musikstücke, unter anderem auf der der Compilation Intergalactic Beats auf dem von Craig betriebenen Label Planet E.
Kurz darauf startete Degiorgio sein eigenes Plattenlabel Applied Rhythmic Technology (ART). Einige Stücke wurden kurz darauf vom einflussreichen Label R&S Records lizenziert und neu veröffentlicht. Über den Kontakt zu Grant Wilson-Claridge wurde Degiorgio dann auf die Musik von Richard D. James alias Aphex Twin aufmerksam. Er schlug eine Zusammenarbeit zwischen ART und James' und Wilson-Claridges Label Rephlex Records vor. 1992 erschien die Compilation The Philosophy Of Sound And Machine mit Stücken von Degiorgio (Future/Past), James (Q-Chastic; Soit-P.P.), Kosmik Kommando und weiteren Künstlern.[
1994 wechselte Degiorgio zum Label New Electronica und veröffentlichte dort das erste As-One-Album Reflections.
Es folgten Zusammenarbeiten mit Photek und die Gründung des Labels Op-ART, auf dem unter anderem Werke von Photek und Paul W. Teebrooke (Steve Pickton) erschienen.
1997 wechselte Degiorgio zu James Lavelles Label Mo’ Wax, auf dem im gleichen Jahr das Album Planetary Folklore erschien. Gemeinsam mit der brasilianischen Fusionjazz-Band Azymuth nahm Degiorgio 2001 unter dem Projektnamen Offworld ein Album für Far Out Recordings auf. Nach Veränderungen beim Label wechselte Degiorgio über Umwege zum US-amerikanischen Label Ubiquity, auf dem zunächst 2003 die Werkschau-Compilation So Far (So Good)...Twelve Years Of Electronic Soul erschien.
Ab 2004 widmete sich Degiorgio mit dem Sänger Jinadu verstärkt der Arbeit an dem Soul-Pop-Projekt The Beauty Room. Im gleichen Jahr erschien die Single Holding On. Das erste Album The Beauty Room erschien 2006 auf Peacefrog Records.
2005 erschien das Album Elegant Systems bei Versatile Records. Ebenfalls 2005 nahm Degiorgio an der Red Bull Music Academy in Seattle teil.[3] Im folgenden Jahr erschien das Album Planetary Folklore 2 + 1 bei Octave Lab.
Diskographie (Auswahl)
Alben
1994: As One – Reflections (New Electronica)
1995: As One – Reflections On Reflections (New Electronica)
1995: As One – Celestial Soul (New Electronica)
1996: As One – The Message In Herbie's Shirts (Clear)
1997: As One – The Art Of Prophecy (Shield Records)
1997: As One – In With Their Arps, And Moogs, And Jazz And Things (Clear)
1997: As One – Planetary Folklore (Mo’ Wax)
2001: As One – 21st Century Soul (Ubiquity Records)
2001: Offworld – Two Worlds (Far Out Recordings)
2003: As One – So Far (So Good)...Twelve Years Of Electronic Soul (Compilation; Ubiquity Records)
2004: As One – Out Of The Darkness (Ubiquity Records)
2005: Kirk Degiorgio presents As One – Elegant Systems (Versatile Records)
2006: Kirk Degiorgio presents As One – Planetary Folklore 2 + 1 (Octave Lab)
2008: B12 / Kirk DeGiorgio – B12 Records Archive Vol. 2 (B12)
2013: Kirk Degiorgio – Presents Sambatek (Far Out Recordings)
Singles und EPs
1991: Future/Past / As One / Zee# – Untitled (B12)
1992: Future/Past / Balil – ART 1 E.P. (R & S Records)
1994: As One – Mihara (New Electronica)
1995: As One – We No Longer Understand (New Electronica)
1996: Future/Past – Hyperspace (R & S Records)
1996: Elegy / As One / Nuron – Likemind 04 (Likemind)
1996: As One – Relentless (Shield Records)
2001: Kirk Degiorgio presents As One – Another Revolution / Undefeated (Ubiquity Records)
2001: Kirk Degiorgio presents As One – Problems / Another Revolution / If It Ain't Broke (Ubiquity Records)
2001: Kirk Degiorgio – Nairobi (New Religion)
2002: As One – To See Tomorrow (Ubiquity Records)
2003: Kirk Degiorgio – Holy Distraction (New Religion)
2004: Kirk Degiorgio – EP3 (New Religion)
2004: As One – Believer / Sanctified / I Love You (Ubiquity Records)
2005: Kirk Degiorgio presents Esoterik – Alcyone EP (Freerange Records)
2005: Kirk DeGiorgio / Elegy – Circuits Fading EP (New Religion)
2006: Kirk DeGiorgio / Elegy – Starwaves EP (Freerange Records)
2007: As One – Germanium (Archive)
2007: Kirk Degiorgio – I Do Not Exist (B12)
2009: Kirk Degiorgio – Jitter World (Abstract Forms)
2011: Kirk Degiorgio – Flote EP (Flying Donkey Music)
2012: Kirk Degiorgio – The Golden Aspect EP (Planet E)
2012: Kirk Degiorgio – Divine Logic (Rush Hour Recordings)
2012: Kirk Degiorgio & Ben Sims – Machine Theme (Machine)
2013: Kirk Degiorgio – Unreleased 1991-1992 (Indigo Aera)
2013: Kirk Degiorgio & Ben Sims – Strike (Machine)
PUDEL Garden LIVE XV
DJ: Nina & Snow
Live: YEK, Mohammad Reza Mortazavi & Burnt Friedman:
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
The music of the forward thinking duo YEK (Mohammed Reza Mortazavi & Burnt Friedman) echoes their conceptual musical ethos. It resists cultural annexation and stands alone as an artistic entity, unconstricted to the boundaries of tradition. Friedman & Mortazavi's music exists beyond any zeitgeist or totemic musical pole in a unifying artistic language all onto its own. With an acute focus on continuously evolving& rhythmic patterns, they operate a ritual chamber music that is trance -inducing, delicate and danceable.
https://nonplace.de/records/non44-burnt-friedman-mohammad-reza-mortazavi-yek/
https://www.youtube.com/watch?time_continue=1&v=iKXOBqHZC-A
https://inverted-audio.com/premiere-burnt-friedman-mohammad-reza-mortazavi-yek-132-11/
Mortazavi und Friedman verbindet eine Expertise auf dem Terrain ungerader, zyklischer Rhythmen, die die Grundlage ihrer, einerseits zarten, andererseits extatischen Trance-Kunstmusik bilden. Es entstehen in der Wiederholung und Improvisation - gespielt auf Mortazavi's Tombak und Friedman's elektronischen Mitteln (Synthesizer,Sequenzer,Sampler) - groove-basierte Stücke die jenseits einer kulturellen Zuordnung gedacht sind.
https://moremo.de/
https://burntfriedman.com/
Live: YEK, Mohammad Reza Mortazavi & Burnt Friedman:
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
The music of the forward thinking duo YEK (Mohammed Reza Mortazavi & Burnt Friedman) echoes their conceptual musical ethos. It resists cultural annexation and stands alone as an artistic entity, unconstricted to the boundaries of tradition. Friedman & Mortazavi's music exists beyond any zeitgeist or totemic musical pole in a unifying artistic language all onto its own. With an acute focus on continuously evolving& rhythmic patterns, they operate a ritual chamber music that is trance -inducing, delicate and danceable.
https://nonplace.de/records/non44-burnt-friedman-mohammad-reza-mortazavi-yek/
https://www.youtube.com/watch?time_continue=1&v=iKXOBqHZC-A
https://inverted-audio.com/premiere-burnt-friedman-mohammad-reza-mortazavi-yek-132-11/
Mortazavi und Friedman verbindet eine Expertise auf dem Terrain ungerader, zyklischer Rhythmen, die die Grundlage ihrer, einerseits zarten, andererseits extatischen Trance-Kunstmusik bilden. Es entstehen in der Wiederholung und Improvisation - gespielt auf Mortazavi's Tombak und Friedman's elektronischen Mitteln (Synthesizer,Sequenzer,Sampler) - groove-basierte Stücke die jenseits einer kulturellen Zuordnung gedacht sind.
https://moremo.de/
https://burntfriedman.com/