Golden Pudel Club - Pudel Garden Live VI
Grosses Pudelgartenkonzert in der Republik Kackland
Live: Gudrun Gut (Monika Enterprise Berlin)
Live: Thomas Fehlmann (The Orb/ Palais Schaumburg)
DJ: Raf & Nikae (Golden Pudel Club)
Ab 21:00 Uhr im Club Viktor Marek
& Candie Hank Soundsystem
& Superdefekt
Gudrun Gut ist Aktivistin der Berliner Underground Szene seit den frühen 80er Jahren- von Post Punk über Techno bis Indietronics.
Sie war Gründungsmitglied legendärer Bands wie Mania D., Einstürzende Neubauten, Malaria! und Matador.
1991 begann sie das Spoken Word, Musik und Multimedia Projekt Miasma zusammen mit Myra Davies.
1995 erschien ihr Album “Members of the Oceanclub” mit Verbindungen von Clubumfeld, live Konzerten und Dj Gigs.
Seit 1997 macht sie zusammen mit Thomas Fehlmann die “Oceanclub Radio Show” auf Radio Eins. Im gleichen Jahr gründete sie das Label Monika Enterprise mit Fokus auf die Entwicklung weiblicher Künstlerinnen.
Mit dem OceanClub Team produzierte sie in den Folgejahren kleine und grosse Events und Festivals – wie z.b. markeB – mit dem Ziel, die Berliner Musikszene zu spiegeln und zu festigen.
2007 erschien ihr Solo Ablum “I Put A Records On” mit beachtlichem Feedback von Presse und Fans aus dem In- und Ausland.
Es folgten viele Konzerte in der ganzen Welt – z.b. in USA, Russland, China, Neuseeland, Australien, Skandinavien, UK, Frankreich, Italien, Spanien usw.
2009 startete die Cooperation mit Antye Greie als Greie Gut Fraktion mit dem Album “Baustelle” und “Rekonstruktion” sowie internationalen Konzerten.
2011 begann die Arbeit am neuen Soloalbum – “Wildlife” erscheint im Oktober 2012 bei monika.
Gudrun Gut’s CV is an eclectic one, spanning a wide range of media and collaborations.
While still a student at the Hochschule der Künste, Berlin (1978-84) Gut first came to prominence in the early eighties as part of a scene the media dubbed “ingenious dilettantes”. A member of Mania D (with Bettina Koester and Beate Bartel) and an early incarnation of Einstürzende Neubauten she soon formed successful eighties all-female art rock band, MALARIA! with Bettina Koester, then touring Europe and the USA with a 5 piece line up including Manon P.Duursma, Susanne Kuhnke, Christine Hahn. ‘Malaria!’ is still talked about and even reached the charts in 2001 via a “kaltes Klares Wasser” remix by “ChicKs on Speed”, incidentally.
In the late eighties Gut was part of three women band MATADOR (with Manon P.Duursma and Beate Bartel) and started to use a computer for her compositions – since the early nineties Gut has been responsible for some film scores, videos and radio plays. In 1991 she started the Miasma Project, an international mixed media collaboration with MYRA DAVIS (Canada).
Two years later she founded the OCEANCLUB, a loose collective of likeminded souls with a unique approach for music, taking it from a variety of angles. A result was the Pop CD "G.Gut: members of the Oceanclub" which was recently rereleased on Moabit Musik including an extra cd with remixes.
Founder and owner of two labels (Monika Enterprise and Moabit Musik) Gut promotes unconventional attitude.
Moabit Musik (est. 1990, 17 releases to date) reissues material by Malaria!, Matador, Miasma and other projects with a personal involvement, while Monika Enterprise supports young artist in the realm of new electronic/independent music (est. 1997, over 70 releases to date) such as Quarks, Barbara Morgenstern, Komeit or Contriva.
A skilled audio engineer, programmer and record producer Gut is active in the technical production and commercial sectors of the recording industry.
Introduced to internet broadcasting and new media communications Gut curates or produces live electronic media events all over Europe, featuring both her own work (as a DJ / Music selector) and that of other artists (Monika Label Nights, Oceanclub Nights, Marke B – a Berlin Label gathering curated by oceanclub- Gudrun Gut, Thomas Fehlmann and Daniel Meteo).
Together with Thomas Fehlmann Gut hosts and co-produces OCEANCLUB Radio “musica obscura” on Radio Eins since 1997 in Berlin.
Apart from her eclectic DJ appearances in Clubs and at Festivals Gut finally released her first solo album in April 2007. Since then she is doing live performances with her laptop and microfone accompanied by her videoclips.
In 2009 she started working on a music collaboration with Antye Greie (AGF) for BBC Late Junction. The result was the beginning of their project “Baustelle”. The album was released in 2010 and “Greie Gut Fraktion" were performing Baustelle with live videos on various Festivals. 2011 they released the album “ReKonstruktion” with fine Remixes from their Baustelle album. Gudrun Gut started writing on her new album “Wildlife” which was released october 2012.
A quote from UK magazine The Wire (by Philip Sherburne) :
“This is a story about a ‘geniale dilettante’; a punk and a No Waver and an early adopter of computer pop; a girl from German heatherlands who moved to Berlin to become one of the city’s central figures – feminist agitator, festival organizer, entrepreneur. Plus of course musician, performance artist, DJ, radio presenter, club organizer, cultural ambassador and label owner. She has done all of this largely by maintaining her independence. Not in the rejectionist strain that characterizes knee-jerk American individualism, but rather by creating and attending to niches and spaces of possibility in the interstices and the margins.”
gudrungut.com
www.m-enterprise.de
Thomas Fehlmann
Von 1976 bis 1980 studierte er Kunst an der Hamburger Kunsthochschule. 1979 traf er Robert Fripp und begann, mit Synthesizern zu experimentieren. Im Jahr darauf gründete er mit Holger Hiller die NDW-Band Palais Schaumburg, die bis 1984 zusammenblieb. Nach ihrer Trennung zog Fehlmann nach Berlin und baute sich ein professionelles Heimstudio auf. Seine erste selbst-produzierte Maxi veröffentlichte Fehlmann 1985 unter dem Namen Ready Made beim britischen Mute-Records-Unterlabel Rhythm King.
Um die neu entstehende elektronische Musik zu fördern, gründete Fehlmann 1988 das Plattenlabel Teutonic Beats, auf dem u. a. Moritz von Oswald, Wolfgang Voigt und Westbam veröffentlichten.
1990 begann er seine Zusammenarbeit (als floating member) mit The Orb. Ausserdem wurde er zunehmend bekannt als Produzent, Remixer und DJ. Er wurde zur festen Grösse im Berliner Techno-Club Tresor und auch beim angeschlossenen Label Tresor Records. Unter dem Projektnamen 3MB arbeitete er mit Juan Atkins, Blake Baxter, Eddie Flashin' Fowlkes und anderen Techno-Grössen aus Detroit.
Ab 1995 entwickelte Fehlmann zusammen mit Gudrun Gut das DJ-Projekt Ocean Club und ab 1997 die Radiosendung Ocean Club Radio. Es folgten Produktionen und Remixe u.a. für Erasure und Klaus Schulze, sowie eigene Alben: 1998 Good Fridge, 1999 Overflow 99 (beide auf R&S Records), 2002 Visions Of Blah auf Kompakt, 2004 Low Flow (auf Plug Research in Los Angeles), 2007 Honigpumpe (auf Kompakt) und Manual (21st Records) sowie 2010 Gute Luft (Kompakt).
2011 beteiligte sich Fehlmann an der Reunion von Palais Schaumburg.
The roots of almost Thomas Fehlmann’s almost 30-year-long career lie in his work with German avant garde band ‘Palais Schaumburg’ he co-founded with partner Holger Hiller. In the late-eighties he produced as Ready Made, and in the nineties he worked together with Basic Channel’s Moritz Von Oswald and Juan Atkins as 3MB as well as started a partnership with Alex Paterson and The Orb. To various extents he has collaborated on all Orb albums.
Fehlmann produces a weekly radio show, OceanClubRadio, with Gudrun Gut and has been responsible for countless remixes and productions for a eclectic selection of artists ranging from Erasure to Einstuerzende Neubauten.
He moved to Berlin in 1984. After Palais Shaumberg split in '85, he dedicated himself to his home studio and the sampler, releasing records as Ready Made. In 1988 he founded the Teutonic Beats label, whose compilations featured early contributions from artists like Jörg Burger, Wolfgang Voigt, Moritz von Oswald, Sun Electric and Westbam. Through the label, Fehlmann became friends with Dr. Alex Paterson of The Orb. Fehlmann later contributed to many Orb releases, becoming a part-time member of the group.
In the 90s he was a resident at the legendary Tresor Berlin. Together with Moritz von Oswald and Juan Atkins he formed 3MB, helping to cement the Berlin-Detroit connection. Since 1995 he has been involved with the legendary Berlin-based Ocean Club, which has been broadcasting a radio show since 1998 - now worldwide.
This decade Fehlmann has produced two full length dub-ambient albums (‘Lowflow’ and ‘Honigpumpe’) as well as embarked on a neverending club tour, both by himself and together with Alex Paterson as The Orb. Recently Fehlmann extended his set up to two hours with the introduction of material from his ´Lowflow´ album, released on Plug Research in 2004, creating a long big wave from downbeat to his very own brand of - in the words of the village voice - green house.
Thomas Fehlmann Interview: www.youtube.com/watch?v=WrIQriIeWGA
Live: Gudrun Gut (Monika Enterprise Berlin)
Live: Thomas Fehlmann (The Orb/ Palais Schaumburg)
DJ: Raf & Nikae (Golden Pudel Club)
Ab 21:00 Uhr im Club Viktor Marek
& Candie Hank Soundsystem
& Superdefekt
Gudrun Gut ist Aktivistin der Berliner Underground Szene seit den frühen 80er Jahren- von Post Punk über Techno bis Indietronics.
Sie war Gründungsmitglied legendärer Bands wie Mania D., Einstürzende Neubauten, Malaria! und Matador.
1991 begann sie das Spoken Word, Musik und Multimedia Projekt Miasma zusammen mit Myra Davies.
1995 erschien ihr Album “Members of the Oceanclub” mit Verbindungen von Clubumfeld, live Konzerten und Dj Gigs.
Seit 1997 macht sie zusammen mit Thomas Fehlmann die “Oceanclub Radio Show” auf Radio Eins. Im gleichen Jahr gründete sie das Label Monika Enterprise mit Fokus auf die Entwicklung weiblicher Künstlerinnen.
Mit dem OceanClub Team produzierte sie in den Folgejahren kleine und grosse Events und Festivals – wie z.b. markeB – mit dem Ziel, die Berliner Musikszene zu spiegeln und zu festigen.
2007 erschien ihr Solo Ablum “I Put A Records On” mit beachtlichem Feedback von Presse und Fans aus dem In- und Ausland.
Es folgten viele Konzerte in der ganzen Welt – z.b. in USA, Russland, China, Neuseeland, Australien, Skandinavien, UK, Frankreich, Italien, Spanien usw.
2009 startete die Cooperation mit Antye Greie als Greie Gut Fraktion mit dem Album “Baustelle” und “Rekonstruktion” sowie internationalen Konzerten.
2011 begann die Arbeit am neuen Soloalbum – “Wildlife” erscheint im Oktober 2012 bei monika.
Gudrun Gut’s CV is an eclectic one, spanning a wide range of media and collaborations.
While still a student at the Hochschule der Künste, Berlin (1978-84) Gut first came to prominence in the early eighties as part of a scene the media dubbed “ingenious dilettantes”. A member of Mania D (with Bettina Koester and Beate Bartel) and an early incarnation of Einstürzende Neubauten she soon formed successful eighties all-female art rock band, MALARIA! with Bettina Koester, then touring Europe and the USA with a 5 piece line up including Manon P.Duursma, Susanne Kuhnke, Christine Hahn. ‘Malaria!’ is still talked about and even reached the charts in 2001 via a “kaltes Klares Wasser” remix by “ChicKs on Speed”, incidentally.
In the late eighties Gut was part of three women band MATADOR (with Manon P.Duursma and Beate Bartel) and started to use a computer for her compositions – since the early nineties Gut has been responsible for some film scores, videos and radio plays. In 1991 she started the Miasma Project, an international mixed media collaboration with MYRA DAVIS (Canada).
Two years later she founded the OCEANCLUB, a loose collective of likeminded souls with a unique approach for music, taking it from a variety of angles. A result was the Pop CD "G.Gut: members of the Oceanclub" which was recently rereleased on Moabit Musik including an extra cd with remixes.
Founder and owner of two labels (Monika Enterprise and Moabit Musik) Gut promotes unconventional attitude.
Moabit Musik (est. 1990, 17 releases to date) reissues material by Malaria!, Matador, Miasma and other projects with a personal involvement, while Monika Enterprise supports young artist in the realm of new electronic/independent music (est. 1997, over 70 releases to date) such as Quarks, Barbara Morgenstern, Komeit or Contriva.
A skilled audio engineer, programmer and record producer Gut is active in the technical production and commercial sectors of the recording industry.
Introduced to internet broadcasting and new media communications Gut curates or produces live electronic media events all over Europe, featuring both her own work (as a DJ / Music selector) and that of other artists (Monika Label Nights, Oceanclub Nights, Marke B – a Berlin Label gathering curated by oceanclub- Gudrun Gut, Thomas Fehlmann and Daniel Meteo).
Together with Thomas Fehlmann Gut hosts and co-produces OCEANCLUB Radio “musica obscura” on Radio Eins since 1997 in Berlin.
Apart from her eclectic DJ appearances in Clubs and at Festivals Gut finally released her first solo album in April 2007. Since then she is doing live performances with her laptop and microfone accompanied by her videoclips.
In 2009 she started working on a music collaboration with Antye Greie (AGF) for BBC Late Junction. The result was the beginning of their project “Baustelle”. The album was released in 2010 and “Greie Gut Fraktion" were performing Baustelle with live videos on various Festivals. 2011 they released the album “ReKonstruktion” with fine Remixes from their Baustelle album. Gudrun Gut started writing on her new album “Wildlife” which was released october 2012.
A quote from UK magazine The Wire (by Philip Sherburne) :
“This is a story about a ‘geniale dilettante’; a punk and a No Waver and an early adopter of computer pop; a girl from German heatherlands who moved to Berlin to become one of the city’s central figures – feminist agitator, festival organizer, entrepreneur. Plus of course musician, performance artist, DJ, radio presenter, club organizer, cultural ambassador and label owner. She has done all of this largely by maintaining her independence. Not in the rejectionist strain that characterizes knee-jerk American individualism, but rather by creating and attending to niches and spaces of possibility in the interstices and the margins.”
gudrungut.com
www.m-enterprise.de
Thomas Fehlmann
Von 1976 bis 1980 studierte er Kunst an der Hamburger Kunsthochschule. 1979 traf er Robert Fripp und begann, mit Synthesizern zu experimentieren. Im Jahr darauf gründete er mit Holger Hiller die NDW-Band Palais Schaumburg, die bis 1984 zusammenblieb. Nach ihrer Trennung zog Fehlmann nach Berlin und baute sich ein professionelles Heimstudio auf. Seine erste selbst-produzierte Maxi veröffentlichte Fehlmann 1985 unter dem Namen Ready Made beim britischen Mute-Records-Unterlabel Rhythm King.
Um die neu entstehende elektronische Musik zu fördern, gründete Fehlmann 1988 das Plattenlabel Teutonic Beats, auf dem u. a. Moritz von Oswald, Wolfgang Voigt und Westbam veröffentlichten.
1990 begann er seine Zusammenarbeit (als floating member) mit The Orb. Ausserdem wurde er zunehmend bekannt als Produzent, Remixer und DJ. Er wurde zur festen Grösse im Berliner Techno-Club Tresor und auch beim angeschlossenen Label Tresor Records. Unter dem Projektnamen 3MB arbeitete er mit Juan Atkins, Blake Baxter, Eddie Flashin' Fowlkes und anderen Techno-Grössen aus Detroit.
Ab 1995 entwickelte Fehlmann zusammen mit Gudrun Gut das DJ-Projekt Ocean Club und ab 1997 die Radiosendung Ocean Club Radio. Es folgten Produktionen und Remixe u.a. für Erasure und Klaus Schulze, sowie eigene Alben: 1998 Good Fridge, 1999 Overflow 99 (beide auf R&S Records), 2002 Visions Of Blah auf Kompakt, 2004 Low Flow (auf Plug Research in Los Angeles), 2007 Honigpumpe (auf Kompakt) und Manual (21st Records) sowie 2010 Gute Luft (Kompakt).
2011 beteiligte sich Fehlmann an der Reunion von Palais Schaumburg.
The roots of almost Thomas Fehlmann’s almost 30-year-long career lie in his work with German avant garde band ‘Palais Schaumburg’ he co-founded with partner Holger Hiller. In the late-eighties he produced as Ready Made, and in the nineties he worked together with Basic Channel’s Moritz Von Oswald and Juan Atkins as 3MB as well as started a partnership with Alex Paterson and The Orb. To various extents he has collaborated on all Orb albums.
Fehlmann produces a weekly radio show, OceanClubRadio, with Gudrun Gut and has been responsible for countless remixes and productions for a eclectic selection of artists ranging from Erasure to Einstuerzende Neubauten.
He moved to Berlin in 1984. After Palais Shaumberg split in '85, he dedicated himself to his home studio and the sampler, releasing records as Ready Made. In 1988 he founded the Teutonic Beats label, whose compilations featured early contributions from artists like Jörg Burger, Wolfgang Voigt, Moritz von Oswald, Sun Electric and Westbam. Through the label, Fehlmann became friends with Dr. Alex Paterson of The Orb. Fehlmann later contributed to many Orb releases, becoming a part-time member of the group.
In the 90s he was a resident at the legendary Tresor Berlin. Together with Moritz von Oswald and Juan Atkins he formed 3MB, helping to cement the Berlin-Detroit connection. Since 1995 he has been involved with the legendary Berlin-based Ocean Club, which has been broadcasting a radio show since 1998 - now worldwide.
This decade Fehlmann has produced two full length dub-ambient albums (‘Lowflow’ and ‘Honigpumpe’) as well as embarked on a neverending club tour, both by himself and together with Alex Paterson as The Orb. Recently Fehlmann extended his set up to two hours with the introduction of material from his ´Lowflow´ album, released on Plug Research in 2004, creating a long big wave from downbeat to his very own brand of - in the words of the village voice - green house.
Thomas Fehlmann Interview: www.youtube.com/watch?v=WrIQriIeWGA